1.Describe Dziga Vertov’s concept of the Kino-Eye in relation to documentary filmmaking. What does he envision to be the point or purpose of the Kino-Eye? Draw from examples from one of three Vertov films discussed in class: Kino-Eye (1924), A Sixth of the World (1926), and Man with a Movie Camera (1929), as well as his manifesto “We”. How does this purpose relate to vision and perception? Why is this important? (all three Vertov films are on Youtube) I attached the WE manifesto reading Please answer one of the following questions in a 2 pages research paper: Make sure that your answer takes the form of an argument, and that the form of your paper supports your argument with proof through both examples from the films (i.e. shot-by-shot analysis) and the readings.